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Therefore, giving the film full marks would be somewhat presumptuous and naive. Watching the ‘The Private Eyes’ from a western viewpoint means that, due to obvious translation differences, the film loses some of its famous edge. This is very much in evidence when one remembers how ‘The Private Eyes’ was named among the best Hong Kong films of the last century in a recent poll. The film’s achievement is not just counted in dollars though as the film is a critical triumph, uniting commercial aspects with artistic ones and pleasing all camps. This is an incredible feat when one remembers the immense financial success of ‘Titanic’ and various other big Hollywood productions. This culminates in a chance for the Manix Detective Agency’s two top workers to prove their worth as they face a gang of organised criminals who are holding a cinema to ransom.Īccording to some sources, ‘The Private Eyes’ remains the all-time box-office king of Hong Kong cinema when inflation is taken into account. What follows is a series of sketch-like encounters in which Wong and Lee have to use their wiles to catch cheating husbands and crafty shoplifters. Wong, however, is not entirely impressed by this eager young upstart and decides to exert his usual amount of arrogant authority on this new employee. After being sacked from his job at a bottle factory, Lee (Samuel Hui) decides to see if the Manix Detective Agency can also offer him some kind of employment and if he can use his hero-like skills to their fullest. Working for this tyrannical boss is the nervy, neck-braced assistant Pighead (Ricky Hui) and a young female secretary who keeps out of her employer’s way.
Joseph Wong (Michael Hui) is the resourceful yet not always successful head of the Manix Detective Agency and, in the film’s opening exposition, his slight ineptitude is well-detailed. After a two-year development period, Hui came out with ‘The Private Eyes’ and the rest is history. Hui found himself in the partly enviable and partly unenviable position of having to top his 1974 smash hit comedy ‘Games Gamblers Play’ – a film that became a box-office phenomenon in his native Hong Kong. For Jackie Chan it may be ‘Police Story’, for Chow Yun Fat ‘The Killer’ and Bruce Lee’s would be ‘Enter The Dragon’ for Michael Hui it is undoubtedly 1976’s ‘The Private Eyes’. These legends will obviously have made countless other great films, but in the public consciousness there remains a landmark film that stands out in particular.
Every star who can rightfully be called a ‘legend’ usually has one film that leaps to mind when their name is mentioned.
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